writing

Making Things

“I’m happier when I make things.” Howard said as he walked into the kitchen late in the day. I looked up at him and saw that the grouchiness he’d felt earlier had cleared from his face. It took an hour and 1200 words of a short story, but his day got better.

I know exactly the way that Howard feels. I meant to spend today cleaning house. Instead I worked at making things too. I made thirty five packages which went out to customers. Then I made LOTA closer to being complete by putting in the footnotes that Howard created and by creating the footnote boxes. I too wrote 1200 words of fiction. I have a long list of things which I’d hoped to accomplish today, but I’m glad I chose to make things instead.

Only yesterday I was out to lunch with my friend and asking “Does it ever get easier than this?” I had a week where feelings of being overwhelmed alternated with the hope that we were finally getting life under control. I guess I’d had one oscillation too many, or maybe I was just feeling entitled to whine. In the past year I’ve dealt with lots of parenting things which were outside the norm. Except when I think about it, I wonder if it is more normal than not. Most people don’t know all the details of what has gone on, just as I don’t know all the details for other families. This leads to the illusion that struggle is not normal, when growing up is an inherently struggle-full process.

My friend didn’t answer my question, because she knew that I already knew the answer. No, life will not get easier, but my perceptions of the difficulties can be very different if I’m willing to alter them. I got a taste of this on Wednesday night when I came home from a support group meeting and everything looked different. I got a taste of it today when I spent the day making things and discovered that the house things which bothered me in the morning did not bother me so much this evening. In both cases, the thing I chose to do was pointed out to me by inspiration. This is really the answer my friend waited for me to remember. When I am following the instructions I am given by inspiration from my Father in Heaven, then life will be good even if it is also difficult.

The Things We Bring with us to Stories

Over on twitter, someone was expressing love for Anna over Elsa in the movie Frozen. I opined that Elsa was the more interesting character. The other person disagreed. Then I had to figure out why I thought Elsa was more interesting. I think Elsa is more compelling because I know Gleek, who desperately needs more of Elsa’s story. She is trapped, liable to do damage on accident, and really needs to see a path toward self-acceptance and balance. I cry at Frozen and at the songs from Frozen because of the person I know who needs that story.

Disney has done a really good job lately of hitting pockets of emotion for me. Rapunzel from Tangled reminded me greatly of my somewhat mercurial and artistic Kiki. Brave brought me face to face with some of my emotional tangles about motherhood, decorum, and freedom. I’m not saying that Disney is always getting it right, but they’re doing a fine job of actually tackling some of these things. Thoughts on all of this led me to tweet:

How we react to a story depends greatly on the baggage we’re carrying when we arrive at the beginning of it.

I’ve heard from people who were flat out bored by Frozen. I know others that love it. I know people who are very concerned about subtext in the lyrics. I know others who felt like the whole movie was silly fun, without depth. All of these people saw the same film. The difference is what they brought with them when they entered the theater.

Thinking About Revision

A week ago I printed out the full draft of my sister’s novel. Then I read through it making notes as I went. I stuck post-it notes in the places with large plot problems and wrote in the margins for smaller ones. This afternoon I spent a couple of hours talking with my sister about problems and possibilities. It was really fun. The book needs work, but it is not broken.

After we got off the phone, I realized how much I want to do that for my own book. I want to have a completed draft and then begin fixing it. Revision is exciting for me, because it requires seeing the project anew. But before I can do that, I have to finish a draft.

Writing Habits

I have friends who write novels. Many novels. Long novels. I have friends whose books are shelved face out at Barnes and Noble. Some of them have been on the New York Times Best Seller’s list. I have friends who shepherd their books solo through drafting, editing, design, and releasing out to the reading public. Many of my friends have won awards for the words that they have written. I don’t really covet the awards, shelf placement, agents, editors, sales, or recommendation lists. All of those things come, or don’t come, after the primary effort is done. First my friends had to write the words. Hundreds of thousands of words. They sat at their keyboards and worked until they had a novel, or two, or ten. This is something I have yet to do. It is something I admire. I’ve blogged, written essays, created two picture books, drafted short stories, and crafted a memoir. These things are not insignificant. They are good and important works, but I have not written a novel.

My novelist friends succeed where I have not, because they have habits that I do not have. I’ve been watching them lately and looking at my daily schedule. I’m trying to figure out which habits I can fit into my life and what things that are currently in my life will have to get pitched in order to make space. Because no one gets more than twenty four hours in a day, not even novelists who create alternate realities. The time for considering is almost over. I need to start shoehorning writing habits into my days. I’ll start with one or two and see how far that gets me.

Treasuring the Project and the Experience

At ConFusion I spoke with many of my writer friends. At home I keep in touch with them and many more via social media. Everywhere I hear stress, frustration, and fear. There are so many parts of publishing that are out of the writer’s control. We even brought that up in a panel, how it is important to focus on the things we can control, the choices which are ours because the ultimate financial success or failure of our projects is out of our hands. This is hard when the result is so very important.

I think about this and then I think about my own published works, most of which have not paid me any significant amount. As a business, my writing career has yet to break even. From a cold calculation stand point, continuing does not make sense. But then I look at the projects themselves. They are each something that now exists in the world that did not before. Each one has added to my life and to the lives of some of the readers. I can’t easily measure that in dollars and I don’t want to. No matter what comes in the future for my writing, I have triumphs that can’t ever be taken from me. Strength of Wild Horses funded. Hold on to Your Horses continues to be read to children and make them happy. My Cobble Stones books remind me of the value of the words I write here. I got to go to ConFusion and speak on many different topics. I’m going to get to teach at LTUE. These are all treasures that can not be taken from me, no matter what blows life and publishing have in store during the years to come.

Right now I am drafting my first full novel. (I don’t really count the three quarters of a novel that I wrote in junior high, nor the half novel I wrote in high school.) I’m ten thousand words in and I’ve been stalled there for quite a while. Today I opened it up and refreshed my memory of where I’m at and where it needs to go next. Over the next weeks I’m going to get to draft that novel. I don’t use the word “get” lightly. Being able to work at writing fiction is a gift. It is one I have to fight for, I have to defend the writing spaces and decide to work when my brain wants to rest, but that doesn’t change the fact that I have this opportunity. Never again in my life will I get to write the first draft of my first novel and I’m not going to let that experience be buried in fear or stress. I don’t want to let it slip away either. Because life may not always be kind enough to allow me time to write.

When the time comes to submit this novel, I hope I can savor that opportunity as well. It will definitely bring discouragement, but I hope I can feel it all fully and add to my pile of life experience treasures.

Meeting a New Old Friend

Long ago in Livermore, California I went to junior high and high school. Last weekend I went to ConFusion in Michigan and participated in a panel on strong female characters. I did not expect these two facts to be in any way relevant to each other, but after the panel Rae Carson turned to me and said “Where did you go to high school?” She asked, because long ago she knew a girl named Sandra who wrote stories. She recognized me even though I had failed to recognize her. (In my defense, she went by a different version of her name when I knew her previously.) We attended the same junior high and high school. At least once we were at the same slumber party. It took me far longer to find the memories because I really did not expect them to be relevant at a Sci Fi convention in Michigan. Also because I think I dumped a lot of memories from that era in my life the same way that I dumped the yearbooks. It was more than I wanted to carry around constantly. This left me sitting next to Rae Carson, talking about people we used to know and that neither of us has kept in touch with.

“Do you remember Mrs. Bell?” I asked.
“Of course I remember Mrs. Bell!” Rae answered. Then we spent several minutes discussing the junior high librarian who took us both in and loved us. That library was a haven, a place for us to go when the lunchroom felt awkward. I spent hours and hours there. So did Rae. We must have been there together often. I wish I remembered more of Rae and less of the various awkward interactions with the geeky boys who absorbed so much of my early teen attention. But we both remember Mrs. Bell and we both credit her with some of our love of writing and reading. Truly there is no substitute for a full-time school librarian. Sadly, the high school did not have a Mrs. Bell, if it had, perhaps Rae and I would have reconnected in high school.

Rae Carson is the author of a trilogy of books that begins with Girl of Fire and Thorns. It is a book about which I’ve heard many good things and which I’ve been planning to read. Rae is friends with many of my writer friends and so I was aware of her that way too. Even before the panel, I’d seen her name and thought it would be nice to have a chance to meet her. Then I discovered I already had, long ago. While I was doing my teenage best to be stylish and not-a-geek she was doing her teenage best to please her parents and fit with the cheerleader crowd. Somehow we failed to solidify a friendship which would have meant we didn’t feel so alone while scribbling away at our stories in our separate houses. Rae remembers me showing her drawings and telling her about my imaginary world. I wonder what eddy of teenage angst swirled me off in a different direction and why I failed to see the potential in our friendship. I think most teenagers are a little bit lost as they try to define themselves. I’m not going to regret the separate paths we took, because obviously Rae has arrived in a very good place with her writing and I certainly wouldn’t want to give up my journey.

It makes me wonder what potential friendships I am missing now. I know it is not possible for me to be friends with all the people, but being more attentive to those around me can only be a good thing. People hide in plain sight sometimes. At one moment while Rae and I were comparing memories and telling about our current lives, I looked over at her, seeking for the face that I used to know but had nearly forgotten. She is there. I was put in mind of the old rhyme
Make new friends, but keep the old,
One is silver, and the other gold
.
I’ve felt that before. There is a security and emotional strength in friendships with a really long timeline. They are the friends who didn’t leave, or who came back. They know the old stories and places even if both have been left behind. Rae is both a new friend and an old one, and I’m really glad that she recognized me and gave us the chance to start over at being friends.

Writing and the New Year

With the new year, when so many writer friends are listing their 2013 stats and their 2014 goals, I find that my brain is dwelling on the thought: I could just go do something else. Surely I’d be happier if I tried using my spare hours as hobby time instead of shoehorning writing into my schedule. Writing certainly hasn’t paid any bills for me. If I count the expenses of traveling to conventions and the expenses of printing, I’ve spent more than I’ve earned.

This is not the voice of despair, or at least not the typical despair. I do not feel bleak or sad. Tired, yes, but not overwhelmed. It feels more like temptation. As if something is trying to lure me down a seemingly easier road.

It is a lie. The easier road is illusory. I’ve tried to give up writing before. Both times it came back. I’m 10,000 words into a novel I should finish. Short stories are percolating in my head in a way they haven’t done in years. I have another novel waiting after the first. I still have to do fulfillment on my picture book Kickstarter. I’m headed to ConFusion in only a few weeks where I’ll wear my professional clothes, teach, and re-connect with many of my writer friends.

Perhaps I should take up some soul-filling hobbies. That would be good for me. I spent the last year emptying myself out to answer the needs of others. Something needs to come and fill that space. I think I am afraid that working at writing will be a further drain rather than restorative. That fear is wrong. It would take more work to stop writing. I could stop writing if I put deliberate effort into doing so. I’d have to pull my brain away from it. I’d have to re-wire my coping strategies. I’d have to carefully weed writing out of my life and social contacts; stomp it down when it popped up, again and again. I don’t think I should do that. I think I need to tell these stories even if I only have an audience of one. Even if the only purpose is for me to sort myself. I think once I’m writing regularly I’ll remember that writing fills me. I’ve only forgotten because I’ve put so little effort into writing during this past year. All my effort went elsewhere.

My plans for this coming year are beginning to coalesce, but I’m reluctant to turn them into lists. There will be plenty of time for lists and business. Right now I’ll be content in the contemplation that this might be the year when I finally learn what it is like to leave the door to writer part of my brain open because I’m using it so often.

Logistics Brain and Writing

I haven’t been blogging as much lately, which often happens this time of year when my logistics brain takes over in order to manage the complexities of December scheduling and shipping. But I miss it. I miss unspooling long thoughts into words. Today I drove three hours to fetch Kiki from college and I spent most of that time sorting thoughts into probable blog entries. There are half a dozen of them and now I know what they are. Hopefully in the next few days I’ll be able to steal some time to write them. For tonight I’m going to have a Friday evening with my kids at home.

Strength of Wild Horses Links

The Strength of Wild Horses Kickstarter is 62% funded. That’s a good place to be with two weeks to go. Please pass the word around if you have the chance. One of the reasons I chose Kickstarter to fund this book was because I saw it as the best opportunity to spread the word about these books to families who might need them.

I’ve been out and about the internet working on spreading the word. The lovely Mary Robinette Kowal gave me a chance to tell her blog readers about My Favorite Bit of Strength of Wild Horses. I had to do quite a bit of thinking to narrow it down to my favorite-most part, which I discovered is a moment of transformation.

Then Lou Anders of Pyr Books and the Thrones and Bones series asked me why picture books matter. We both were certain that they do, but he wanted my take on why. I loved digging into my thoughts to find the answer to that question. The result can be read over on Lou’s blog. Why Picture Books Matter.

Doing interviews and writing guest posts has been one of the most enjoyable parts of this Kickstarter process. I’m stretching my thoughts in new directions and it is fun.

Thoughts on Self Promotion

As I’m contemplating making a promotional push for the upcoming Strength of Wild Horses Kickstarter, I’m also doing much thinking about self-promotion in general. Most people I know are not comfortable saying “Look at me! Buy my stuff!” I’m no exception to that rule. In order to get this project funded I’m going to have to do a lot of promotional activities on the internet, but I made a realization which makes all of that easier. I’m not promoting me. This isn’t about me, or my career, or making money. What I am promoting is Amy and her story in Strength of Wild Horses. Unless I promote it, that story will not have the chance to be released to the public. So in the next month or so I’m going to be reaching out to people and saying “Look at this project I love. I think it is amazing. If you think so too, please pass the word along so people can know about it.” I can do that, because I love Amy and her story. I love the pictures that Angela is creating to tell Amy’s story. I love when I hear from people who have the first book and they tell me that Amy’s story is loved by their kids. I won’t be doing self-promotion, I’ll be doing Amy-promotion.